The story of art collective Gran Fury--which fought back during the AIDS crisis through direct action and community-made propaganda--offers lessons in love and grief.
In the late 1980s, the AIDS pandemic was annihilating queer people, intravenous drug users, and communities of color in America, and disinformation about the disease ran rampant. Out of the activist group ACT UP (AIDS Coalition to Unleash Power), an art collective that called itself Gran Fury formed to campaign against corporate greed, government inaction, stigma, and public indifference to the epidemic.
Writer Jack Lowery examines Gran Fury's art and activism from iconic images like the "Kissing Doesn't Kill" poster to the act of dropping piles of fake bills onto the trading floor of the New York Stock Exchange. Lowery offers a complex, moving portrait of a collective and its members, who built essential solidarities with each other and whose lives evidenced the profound trauma of enduring the AIDS crisis.
Gran Fury and ACT UP's strategies are still used frequently by the activists leading contemporary movements. In an era when structural violence and the devastation of COVID-19 continue to target the most vulnerable, this belief in the power of public art and action persists.
About the Author
Jack Lowery is a writer and teacher, whose writing has appeared in The Atlantic, The Times Literary Supplement and The Awl. He completed his MFA in Nonfiction Writing at Columbia University, and has taught in the Undergraduate Writing Program at Columbia University. As an editor, he has published the poetry of David Wojnarowicz. He lives in Brooklyn.
A collected oral history of the AIDS crisis in the 1980s and 1990s is by no means a small endeavor. Yet Lowery, using countless sources, knits together just such a chronicle. The focus is primarily on the art that moved and sustained a silent population of men and women who suffered the scourge of an unnamed disease and rage over the glacial pace of government response once the HIV virus and AIDS were identified.